28 February 2017, Dato’ Saifuddin Abdullah (right), Chief Secretary of Pakatan Harapan (Alliance of Hope) and Director (Strategic and Social Development) of Institute Darul Ehsan, highlighted that UMNO today is very different from what it was before, and is not suited for the future. The seminar was chaired by Dr Ooi Kee Beng (left), Deputy Director, ISEAS – Yusof Ishak Institute.
The 2017 round of simultaneous direct local elections (Pilkada) taking place on 15 February in Indonesia bore great significance for national politics. At stake was not only the Jakarta governorship, but also the presidency in 2019, as President Joko Widodo had shown that whoever wins the Jakarta election may have a shot at the presidency.
This workshop aims to collect histories of travel, enchantment and wonder in Southeast Asia across the longue durée. In doing so, it brought together scholars whose work spans the geographic and temporal scope of societies, from the medieval era to the modern period, with a focus on ‘magical’ connections. The workshop argues, in trying to write a connected social and cultural history of the Bay of Bengal, it is essential that the histories of religious enchantment, religious history, mobile saints, missionaries, mediums, Gods, spirits and other travellers be collected as well.
Professor Amitav Acharya, The Boeing Company Chair in International Relations of the Schwarzman Scholars Program, Tsinghua University; and Distinguished Professor of International Relations, American University delivered a Lecture titled “ASEAN at 50: Reflections on Its Past, Present and Future” at the ASEAN Lecture Series organised by the ASEAN Studies Centre.
This workshop sought to critically evaluate the ways in which Southeast Asian nations are imagined by artists and other cultural agents such as art critics, gallerists, collectors, independent curators or museums, and the state. It comes at a time when ‘national art’ is being redefined while more public and private institutions in the region are erected to re-imagine the narratives of nationhood. Whether through modern or contemporary art which interrogates the consequences of global capitalism, scholars at this workshop explored how art is deployed either as a coalescing force for the imagination of the nation or a critical expression of its flaws and strains.